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Clockwork Angels is a steampunk fantasy adventure—and an innovative multimedia feast!
Based on a story and lyrics by legendary drummer Neil Peart, Clockwork Angels became the worldwide bestselling concept album by Rush and was developed into a New York Times bestselling and award-winning novel by Kevin J. Anderson.
Anderson and Peart, working with comics artist Nick Robles, brought the epic tale to a visual canvas, a six-issue graphic novel published by BOOM! Studios. Clockwork Angels: The Comic Scripts pulls aside the creative curtain, showing the original scripts, panel by panel, interactions between author and artist, as well as all the secret “Easter eggs” intentionally planted throughout the images as a special treat for Rush fans.
Clockwork Angels: The Comic Scripts is a fascinating book in its own right, to be studied by comic writers, Rush fans, Kevin J. Anderson fans—and anyone interested in a truly astonishing story of a young man’s journey across a remarkable steampunk landscape with airships, pirates, alchemy, lost cities, a fabulous carnival, and a hero who insists on making his dreams come true.
- Sales Rank: #483981 in eBooks
- Published on: 2014-11-23
- Released on: 2014-11-23
- Format: Kindle eBook
About the Author
Kevin J. Anderson is a bestselling science fiction author of over 125 novels, including numerous books in the Dune, Star Wars, X-Files, Superman and Batman universes. His original work includes the Saga of Seven Suns series, the Dan Shamble, Zombie PI series, the Terra Incognita trilogy, the Hellhole trilogy (with Brian Herbert), and the Saga of Shadows. He has written comics for Marvel, DC, IDW, Dark Horse, BOOM! Studios, and others. His first novel, Resurrection, Inc., was inspired by the Rush album Grace Under Pressure. Neil Peart is the drummer and lyricist for the rock group Rush and the author of Far and Near, Ghost Rider, Roadshow, The Masked Rider, Traveling Music, and Far and Away. Anderson and Peart are working on a companion novel Clockwork Lives
Most helpful customer reviews
7 of 8 people found the following review helpful.
Chestertonian genius: KJA and Neil Peart
By Bradley J. Birzer
Two things need to be stated before I even get into the heart this review. Well, ok, let me put this in active form, before my students yell “foul!” I, Brad, need to state two things before getting into this review.
First, one could write a long and interesting article just about the convoluted and circuitous publishing history of CLOCKWORK ANGELS. And, why not? What a fascinating history. In the beginning, CLOCKWORK ANGELS was an album by Rush (remember, though, the first two songs came out almost two full years before the album itself).
Then, it was a best-selling novel by Kevin J. Anderson and Neil Peart.
Then, it was a huge worldwide rock concert tour, a live album, and a live concert DVD.
Then, it came out from BOOM! Studios in comic book form, illustrated by the extremely talented Nick Robles, over six issues. These six issues, of course, will be released in graphic-novel form in the spring (April 2015) with, I’m guessing, an intro or conclusion by Peart.
Now, however, CLOCKWORK ANGELS has come out from Anderson’s WordFire Press as THE COMIC SCRIPTS.
Soon, there will be a sequel, CLOCKWORK LIVES, which Anderson has only recently happily finished with the equally happy blessing of Neil Peart.
It’s possible the whole cycle might start over with the sequel.
And, if Rob Freedman is correct, CLOCKWORK ANGELS will probably grab the fancy of some Hollywood producer, direct, and acting talent, and it will be made into a major motion picture. If so—and, let’s pray this happens—the script is completely written, the scenes already storyboarded by Anderson, a true master of the art.
Second caveat. It’s no secret—at least to readers of progarchy—that I’ve been following the career of Neil Peart very closely since the spring of 1981. Since the age of 13, Peart has been as much a part of my life as has Ray Bradbury, J.R.R. Tolkien, Mark Twain, T.S. Eliot, and the list could go on.
Sci-fi demigod, Kevin J. Anderson.
Sci-fi demigod, Kevin J. Anderson.
Since some time in the early 1990s, however, I can also state the same about Kevin J. Anderson. Among modern science-fiction writers, the only other person I’ve followed as closely is J. Michael Straczynski. I’m absolutely fascinated by their writings as well as the trajectory of their careers. Each is a expert of his craft and an imaginative perfectionist. Each is also very much in-tune with his audience and the possibilities the internet presents. And, as probably well known, each has advanced the cause of progressive rock in a variety of ways. Straczynski had done so by promoting the career of Christopher Franke and Anderson by writing with Peart, producing the story and lyrics (along with his wife) for Roswell Six, and through a myriad of other ways. Each, also, fully embraces the comic and graphic novel worlds. Straczynski tends toward horror and the gnostic, and Anderson tends toward science fiction and the mythic, but, otherwise, the two have a great deal in common.
So, these two caveats stated, let’s get back to Anderson’s latest, THE COMIC SCRIPTS.
Even from a cursory examination of Peart’s song lyrics, the story of CLOCKWORK ANGELS seems a nicely updated version of 1978’s HEMISPHERES. There’s the side of order, and there’s the side of chaos. The hero, choosing not to embrace either extreme, finds a via media, making his own path and his own choices. He finds, in reality, that his choices are limited, however, but choice does exist. So, free will exists, but it does so only within certain bounds.
Anderson’s novel offers a wondrous exploration of Peart’s universe. Employing the literary devices of utopia and dystopia, Anderson, a sci-fi demigod, gives the story a much needed and beautifully executed Tolkien-esque and Chestertonian fairy-tale ethos and atmosphere. We discover why the Clockmaker craves surety and the Anarchist disorder. We also discover why Owen must reject both and become, for all intents and purposes, the everyman version of Cygnus.
Not limited to lyrics for twelve songs merely, Anderson explore, lull, mull, and linger. With his deft hand, the world of Owen and the CLOCKWORK ANGELS becomes rich, full, and tangible. Though many have labeled this world as Steampunk—a label neither Anderson nor Peart would deny—it is much more than Steampunk as well. The pastoral quality of parts is truly pastoral and adds the Tolkienian fantastic to it all. Indeed, Anderson’s best writing—while always superb—truly shines when he is detailing the cultures that arise in distant and rural landscapes.
Equally important, though, is that Anderson is not only a great friend of Peart’s, he’s also a huge fan of Rush (and Hugh Syme). These loves show in almost every word and on every page of CLOCKWORK ANGELS. For those of us obsessed with Rush, Anderson ably rewards the reader, throwing into his novel (and the comics, and, thus, THE COMIC SCRIPTS) Easter eggs galore.
What surprises me most about THE COMIC SCRIPTS, however, is how utterly and brilliantly visual Anderson’s imagination is. Frankly, after having read much of his science fiction and some of his detective fiction, I really have no right to be surprised by any of this! Anderson is a genius at nearly every level, but he is especially excellent in and at creating a MYTHOS around, behind, and near every one of his novels. There’s a reason major international serials praised his own renditions of the XFILES as some of the best sci-fi of the 1990s. Sure, the XFILES was a great TV show. But, Anderson’s skill made the characters and the MYTHOS a thousand times better. I suppose my surprise at Anderson’s ability to visualize and imagine is, if anything, an indication of my own lack of imagination.
Looking at THE COMIC SCRIPTS, one readily sees that Anderson anticipated and then directed every single panel of the comics. He describes the emotions on the faces as well as the technology that will (certainly) jolt the reader into a sort of glee. Anderson presents every aspect of the CLOCKWORK world in all of its alchemical madness and glory.
By describing every thing visually, Anderson paints an interesting portrait of this world that could tease the Rush fan and the sci-fi/fantasy reader without end. Some day, lit crit folks will have a field day deconstructing all of this. For example, per both Peart’s and Anderson’s desires, the reader never actually sees the faces of the angels. This must be left to the individual mystery and imagination. Or, one sees that the symbol of the order-loving Clockmaker is a beehive and honeybee. The beehive looks suspiciously like the symbol of Utah, the Mormons, and the former State/Empire of Deseret. Is this intentional? I don’t know.
Or, how about the description of our hero, Owen? He is truly everyman—“He is non-ethnically specific,” Anderson explains. He “should have darker/olive skin, dark eyes, dark hair.” Anderson describes the cities of his world as Manhattan with a twist of old Berlin with a huge touch of the art deco. Could this be Gotham? Metropolis? Dark City? Of course.
Ok, but what surprises me most? That Hollywood hasn’t snatched up Anderson in a major way. Holy Moses, this guy can think, he can write, and he can imagine.
So, should you buy this latest offering from Anderson?
Do you like Rush? Yes.
Do you like science fiction? Yes.
Do you like intelligence and imagination in your fiction? Yes.
Do you like the visual arts? Yes.
For me, THE COMIC SCRIPTS is another brilliant exploration of the CLOCKWORK world. But, even if you’d never heard of Rush or even if you’ve never read the novel or the comics, this is still well worth owning. Anderson’s writing is so good, and his visual imagination is so fascinating, that THE COMIC SCRIPTS could easily (and does) stand on its own as a screenplay or as an actual stage play.
I promise—you’ll be riveted from pages 10 to 253.
Enjoy. And, Merry Christmas.
5 of 5 people found the following review helpful.
When to incredibly creative people like Kevin J Anderson and Neil Peart get together to ...
By James Brunk
When to incredibly creative people like Kevin J Anderson and Neil Peart get together to work on something you know it will be amazing and this does not disappoint.
2 of 2 people found the following review helpful.
See how the magic of a comic book is made, panel by panel, from a master storyteller!
By Alex De Luca
With this publication you get a detailed look into what goes into a great comic book series. Kevin J. Anderson is a master writer and storyteller. First, he achieved the daunting task of adapting Neil Peart's concept of Rush's masterpiece album, Clockwork Angels, info a terrific novel. It's the album given a deeper and more detailed voice. We got to read about the character in the songs having adventures! Next came the comic book. We got to SEE this character and his fantastic surroundings in magnificently rendered art! Now, with this book, we get a true look behind the curtain and get to see the process behind making a great comic book. It's not as simple as saying "OK, artist. Draw this and I'll just add words". It's panel by panel descriptions, captions, dialog and hidden gems; the blueprint for a great final product. This is basically a dream product for me; an insane Rush fan for decades and a comic book reader for even longer. I give this book high recommendation for the Rush fan, comic fan and aspiring comic book writer. Well done Kevin J. Anderson! Looking forward what's next for you and Rush!
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