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The Perfect Victim, by Pamela Foster
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When friend Anne "buys" the new deputy for loan officer Mary Brock at the local charity auction, neither she nor Mary know what has been brought into their lives. At a little over six feet, slim, with wavy blond hair, Billy Joe Wilkins is enough to make most women dream of snuggling on the beach, the ocean's waves crashing rhythmically. Mary discovers — to her delirious delight — that Billy's lovemaking more than fulfills the promise of the dream. But when his demands begin to include Mary's complete domination, physically and emotionally, it all begins to seem more like a nightmare she can't escape. But Mary is trapped by her own feelings, reeling between what she knows she should do and what Billy says she must do. She becomes obsessed with escape. And what about her son? What about Michael? He's being caught in the middle of her emotional tug-of-war. Will he become a victim too? Can Mary find the courage to take control of the situation? Praise for The Perfect Victim "Foster has the gift of painting a scene so remarkably vivid that it's as though the reader has stepped through Alice's looking glass and can see, feel, smell and even taste the world she's created. She offers up characters who are just as vividly present as they reveal their hearts and souls with no reservations. She has one of the most unique writing voices." ~ Lori Ericson, author of A Lovely County
- Sales Rank: #4806720 in Books
- Published on: 2014-11-03
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .62" w x 6.00" l, .81 pounds
- Binding: Paperback
- 246 pages
About the Author
Pamela Foster is among the sixth generation of Fosters to be born and raised on the westernmost tip of the continental United States. Bigfoot Blues is the first of Foster's Bigfoot trilogy. The second book, Bigfoot Mamas, will be released in early 2017. After over two decades of travel, mostly in Latin America and Asia, Foster has returned to her hometown of Eureka, California, where she wakes each morning to fog draped redwoods, the ebb and flow of Humboldt Bay, and the comfort of finally being home.
Most helpful customer reviews
3 of 3 people found the following review helpful.
A Chilling Tale of Love Gone Wrong
By Author Ronda Del Boccio
This book will chill you to the core. It is a real-life horror story. No demons or zombies, but a situation that has happened to many women ... maybe you or someone you love ... and will again.
Pamela Foster is an amazing writer, and this book is up to her usual high standards. Written in present tense, it conveys an immediacy you won't experience with other novels.
Follow your BLISS,
Ronda Del Boccio
best selling author and speaker
1 of 1 people found the following review helpful.
” The Perfect Victim starts out just that way
By Gil Miller
As a general rule, I don’t care much for psychological thrillers. They move at too slow a pace to earn the moniker thriller for me. We see lots of things engineered to endear us to the protagonist, but the action is a bit glacial for my taste. Plus, so many of them seem built around a premise that makes me want to take the protagonist by the collar and shake them, yelling into their face, “Can’t you see what the f&@k, is going on?!”
The Perfect Victim starts out just that way. Mary Brock is a single mother of an eight-year-old named Michael. Her best friend Anne “buys” her a deputy sheriff at a charity auction. He’s a little over six feet tall, slim, has wavy blond hair, and goes by the name Billy Joe Wilkins. Billy Joe promises Mary the perfect date.
Almost immediately, though, ominous signs begin appearing. Billy Joe calls her every night at home, every day at work. This last is more problematical because she works at a credit union where most of the employees are single mothers like herself, and the credit union isn’t exactly the gem of employers. Personal calls are strictly forbidden.
Too, Billy Joe doesn’t seem to get that dating for a single mother is tough. She’s on a very limited budget—at the book’s beginning she’s wrestling with her son wanting Nike Airs while she has to decide which clothes she can afford to wash this week—and can’t just take off on a whim, as Billy Joe seems to want her to do.
As the book progresses, these signs from Billy Joe become even more ominous, and it is quickly evident that he’s a controlling, abusive, dangerous man who uses his authority as a law enforcement officer to give him personal advantages in his quest to, for all practical purposes, own Mary while getting her to get rid of her son, who he refers to as “the kid.”
And now we arrive at the point that frustrates me about psychological thrillers: why can’t the protagonist see what’s happening? For me, it’s like the old joke about slasher movies: if you’re alone, in the dark, and weird things have been happening, why in the world are you investigating that noise? Why are you going up those stairs? For that matter, why’d you come out here camping in the first place?
The difference in The Prefect Victim is this: Mary finds a dark spot in her that responds to Billy Joe’s domineering ways. She likes the rough sex, likes it when he takes control, bringing her to the point where she’s afraid for her life, then treating her as if she’s a china doll that’ll break at the lightest touch. It seems that, when he perceives he’s frightened her, he backs off, reassures her it’s all fun and games.
With every mercurial rise and fall of Billy Joe’s temperament, Mary finds herself riding the same pattern of crests and troughs, a small boat on a large and violent ocean. She sees the problems but finds herself helpless to change what’s happening. He’s a complete and total ass, but the sex is like nothing she’s ever experienced before and is afraid she never will again. Does that make her shallow? Or does it make her human, just like the rest of us?
If I go any farther, I risk revealing some spoilers, so let me wrap it up this way: by the time you reach the end of Pamela Foster’s The Perfect Victim, you may find yourself wondering what you’d do in a similar situation, and if you’d go down the same dark paths Mary finds herself having to follow.
Because, in the end, what makes us human and vulnerable also lets us win in some horrible situations.
0 of 0 people found the following review helpful.
If you're going to shoot, shoot to kill.
By R.H.Burkett
Pamela Foster is a brilliant writer. Using intense internalization, terror dripping, fear-scented sense of place, and characterization far above the norm, Foster could write The Three Little Pigs and receive a Pulitzer.
The Perfect Victim is Foster's dark side come out to play and in the opinion of this writer, it's a side she should turn loose more often. Every single woman and mother can identify with the hero, Mary Brock. It's a man's world out there and all of us woman, at one time or another, are perfect victims. But don't piss us off!
Every woman should read this book.
Every woman should carry a gun and know how to use it. And every woman should shoot to kill.
R. H. Burkett: author
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